1500 – 1600
End of the Renaissance and the Reformation

Raphael's Alba Madonna

When we read Vasari’s account of the personality of Raphael, we begin to have some sense of the extraordinary man he was,

Thus Nature created Michelangelo…to excel and conquer in art, but Raphael to excel in art and in manners also. Most artists have hitherto displayed something of folly and savagery, which, in addition to rendering them eccentric and fantastical, has also displayed itself in the darkness of vice and not in the splendor of those virtues which render men immortal. In Raphael, on the other hand, the rarest gifts were combined with such grace, diligence, beauty, modesty and good character that they would have sufficed to cover the ugliest vice and the worst blemishes. We may indeed say that those who possess such gifts as Raphael are not mere men, but rather mortal gods, and that those who by their works leave an honored name among us on the roll of fame may hope to receive a fitting reward in heaven for their labors and their merits.



Raphael, Alba Madonna, oil on panel transferred to canvas, c. 1510 (National Gallery of Art, Washington D.C.)

Speakers: Dr. Beth Harris, Dr. Steven Zucker

Raphael, Alba Madonna, c. 1510 (National Gallery, Washington D.C.)

 

Your Comments (0)

Add Comments

We think Smarthistory works best when it prompts discussion. Please post (on-topic) comments.*

*All comments are moderated

To post a comment, you need the Adobe Flash Plugin. Download it from here.

Where and When

Raphael: Alba Madonna
Rome, Italy
c. 1510-11
This work is an open educational resource and This work is licensed under a Creative Common Attribution-Noncommercial-Share Alike 3.0 license.